"SPECIES
BLUES"
by Jack Reilly
JAZZ
IMPROVISATION TEXTS For SOLO PIANO
--- In Three Volumes
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Check
out the REVIEW of this"SPECIES
BLUES" series
for a complete analysis of this book series!
Volume I - The Blues Form |
For
the beginner in improvisation. Contents include; Boogie Woogie,
Stride and simple Walking Bass patterns; Penta-tonic scale
theory; intervals,chords and some two-handed voicing of 9th
chords; improvisational theory based on the discipline of
classical modal counterpoint and its application to
melodic improvising; jazz rhythmic etudes and exercises; plus
seven of Jacks challenging blues compositions that serve
as perfect vehicles for the solo pianist while at the same
time forcing him to apply the improvisational skills learned
in this volume.
Forward by DICK HYMAN
PRICE:
$39.95
EMAIL JACK REILLY TO ORDER
For
the non-beginner, or the classical pianist who wishes to gain
insight into the more modern styles of Jazz solo piano (Bill
Evans, Oscar Peterson, etc). Contents include: Two handed
voicing principles, etudes, examples and models from 3 to
10 parts; a simplified theory of the major/minor scale tone
sevenths, new models and etudes for stride playing;
Species Blues improvisational theory (modal counterpoint discipline)
as applied to the song form structure; a complete chart of
175 voicings for the left hand alone and their application;
four-part traditional classical voicings, as applied to blues
and song forms; twenty eight Reilly originals illustrating
all of the above and more; plus a movement from his Jazz Piano
Sonata as a bonus. Upon the completion of this volume the
student can successfully play or sit in with anybody!
Introduction by DARIUS BRUBECK
PRICE:
$ 59.95
EMAIL JACK REILLY TO ORDER
| Volume III The Free
Form |
This
is definitely for the advanced classical pianist or the Jazz
player who has already studied and played professionally.
This volume covers free form playing (i.e. performing and
inventing music that is totally spontaneous) in four areas
of discipline: Modal, Tonal, Polytonal and Atonal. Each area
contains the theoretical explanation of its principles plus,
exercises, etudes, and most important of all at this stage,
original compositions that perfectly illustrate each area
of free form improvising.
Jacks compositions in this volume are from his orchestral,
chamber, choral and solo works and the chapter on total improvising
recapitulates in condensed form the diatonic and chromatic
principles of harmony, with musical examples by Jack and his
students.
Forward by BILL CHARLAP
Price: 79.95
EMAIL JACK REILLY
TO ORDER
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